Ensemble
Mainbocher, 1949
The Metropolitan Museum of Art
I love the cues on this outfit taken from 1830s fashion - not just in silhouette but in decoration as well. So cute. Also, I love Mainbocher.
137 notes
Ensemble
Mainbocher, 1949
The Metropolitan Museum of Art
I love the cues on this outfit taken from 1830s fashion - not just in silhouette but in decoration as well. So cute. Also, I love Mainbocher.
Evening Dress
Jean-Philippe Worth, 1902
The Metropolitan Museum of Art
This was my favourite dress ever for a long time. These days I couldn’t choose just one but look at it. That is just divine.
Evening Dress
Jean-Philippe Worth, 1905
The Metropolitan Museum of Art
I think my heart just stopped.
Dress
1890-1891
The Metropolitan Museum of Art
Now THAT is a DRESS.
Oh my goodness, those colours *swoon*
Dress (Robe de Style)
House of Lanvin (French, founded 1889)
Jeanne Lanvin (French, 1867–1946)
fall/winter 1926–27
Met
I love the transparent panel at the bottom :D
Dress (Robe de Style)
House of Lanvin (French, founded 1889)
Jeanne Lanvin (French, 1867–1946)
c. 1922
Met
The colours of this are so charming. It reminds me of an easter egg.
Wedding Dress, 1828, made in Paris, worn in England.
The V&A says: “Ballgown, cream silk crepe embroidered with silver strip, large short puffed sleeves and pelerine. Co-ordinating garters of white silk, embroidered with silver, and white silk slippers embroidered in cream.
Acquired with a deep bertha collar of silk blond lace which has now been removed as it was a later addition.”
This is absolutely incredible.
Tags:
1900s
fashion
edwardian
extant
The famous Popover dress of 1942 - and the epitome of cheap and chic (and immensely practical). Probably her most commercially successful design.
I’m in a Claire McCardell mood today, mostly because I’m thinking of making my own clothes and hers is a great look for everyday.
This is dated 1954.
Bonnet ca. 1835 MFA
Hmm so I think the style of the 30s was the BIGGER the BETTER.
I made two of these style bonnets for the Bronte Parsonage Museum. They were so much fun to make, principally because I was told to go as overboard as possible so I was just throwing stuff at the bonnet. Feathers, lace, ribbon, everything. It was wonderful *sigh*
““10th February 1840, Got up at a quarter to nine, Mamma came and brought me a nosegay of orange flowers. Wrote my journal, had my hair dressed and the wreath of orange flowers put on. Saw Albert for the last time alone, as my bridegroom. Dressed. I wore a white satin gown with a very deep flounce of Honiton lace, imitation of old. I wore my Turkish diamond necklace and earrings and Albert’s beautiful sapphire brooch…”
Once she arrived at Buckingham Palace after her marriage – Victoria wrote - “I went and sat on the sofa in my dressing-room with Albert, and we talked together there from ten minutes to two till twenty minutes past two.” Only this silk gown and its creases were witness to this intimate half hour when Albert and Victoria were first alone together as husband and wife. But we know she carried the affectionate memories of that day, because Victoria continued to wear the train of Honiton lace from the dress for the rest of her life and, even after Albert’s death, as an old lady in black, she wrapped herself in the white lace that enshrined her tenderest emotions.”